Lady Jenny's Christmas Portrait Read online

  Copyright © 2013 by Grace Burrowes

  Cover and internal design © 2013 by Sourcebooks, Inc.

  Cover design by Anna Kmet

  Photography by Jon Zychowski

  Cover model: Leah Lehr/G&J Models

  Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

  The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

  Published by Sourcebooks Casablanca, an imprint of Sourcebooks, Inc.

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  Contents

  Front Cover

  Title Page

  Copyright

  Windham Family Tree

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Excerpt from The MacGregor’s Lady

  Acknowledgments

  About the Author

  Back Cover

  To my brother Dick, my first and most enduring hero

  One

  Either Lady Genevieve Windham didn’t recognize Elijah Harrison with his clothes on, or she had reserves of self-possession he could only envy.

  “Sir, may I be of assistance?” She hovered in the door, a blond angel on a miserable winter night, not welcoming him inside and not refusing him entry—a succinct metaphor for Elijah’s dealings with Polite Society.

  “I must beg your hospitality, my lady, for my horse has gone lame, and the weather is worsening. Elijah Harrison, at your service. I left the last posting inn some miles back and have seen no other hostelries along the way.”

  He shivered in the wind and sleet and tried not to let his teeth chatter. He was ready for her to refuse him or tell him to go ’round back and seek entry of the cook. The very fingers by which he made his living—and a number of other parts—were long since numb, or he would not have knocked on even this door.

  The lady stepped back and gestured him inside. “Gracious heavens, Mr. Harrison, come in this instant. I hope the grooms are seeing to your horse?”

  Her green eyes were lit with concern, and not—bless her—for his horse.

  “My thanks.” He passed into the warmth and quiet of the Earl of Kesmore’s country house as she closed the door behind him. “When last I saw him, the beast was being led into a cozy stall, his limp improving apace at the prospect of straw bedding and a ration of oats.”

  “I’m Jenny Windham,” she said, and that she would eschew her title—as he had eschewed his—caught his curiosity. “The servants are quite done in, today being Stirring-Up Sunday. Let me take your coat.”

  She hefted the sodden wool from his shoulders and hung it on a hook, spreading the capes and sleeves just so, the better for the garment to dry. This attention to Elijah’s outerwear gave him a moment to study her the way a portrait artist was doomed to study all others of his own species.

  Her hands had a competence about them he would not have expected from a duke’s daughter. She dealt with wet fabric as any yeoman’s wife might, then held out a hand for Elijah’s scarf.

  “I’ve never seen it rain ice,” she said. “An occasional sleety afternoon, yes, but not this… this”—she grimaced at his scarf—“unending mess. Nobody will be going anywhere if they have any sense. I hope you hadn’t far to go?”

  Again the concern in her eyes, and for an uninvited guest who had no business inconveniencing her.

  Elijah focused on peeling off damp wool and sopping gloves. “A few more miles yet, but I’m not familiar with the neighborhood, and nothing good ever comes of forcing a lame horse to soldier on.”

  “Nothing good at all. You must accept our hospitality tonight, Mr. Harrison. You’ll come with me to the library.”

  She did not explain to him that the earl and his countess would be down shortly to welcome him properly, though Elijah well knew this was Joseph Carrington’s house. He would not have presumed to knock otherwise.

  And yet he followed Lady Genevieve down a dimly lit corridor without protest, watching the way her carrying candle and the mirrored sconces moved light and shadow across her feminine form. By the time they reached the library, Elijah’s feet were starting the diabolical itching that accompanied a thawing of limbs too long exposed to winter’s wrath.

  “You can warm up in here, and we’ll have a room prepared for you,” Lady Genevieve said as she set her candle on a delicately scrolled chestnut sideboard. When his gaze fell upon an embroidery hoop left on the sofa, Elijah realized the lady herself had occupied the library earlier.

  “You’re burning wood.” The sweet tang of wood smoke blended with other scents—beeswax, cinnamon, and something floral, an altogether lovely olfactory bouquet.

  “Lord Kesmore prefers to burn wood, and his home wood is extensive. If you’ll give up those boots, Mr. Harrison, I’ll have somebody take them down to the kitchen for a polishing. Leave it any later, and the boot boy will have gone to bed.”

  Stirring-Up Sunday saw the plum pudding tucked into its brandy bath. The kitchen had no doubt been a merry place for much of the day, and the help would need to sleep off the results of their exertions.

  How he loathed Christmas in its every detail.

  “I’ll wrestle my boots off, but please don’t put anybody to any trouble. I would not want to impose on his lordship’s staff unnecessarily.”

  He did not elaborate, leaving her another opportunity to explain that his lordship wouldn’t find it any imposition, and would be told immediately of his visitor.

  “I’ll see to some sustenance for you, Mr. Harrison. Please make yourself comfortable.”

  She bobbed a curtsy; he bowed. The moment she left the room, Elijah picked up the embroidery hoop to study the gossamer-fine chemise it held. The itching was climbing from his feet to his calves, and would soon overtake his thighs, but he’d seen such needlework only on his mother’s very own hoop, and the artist in him had long grown used to ignoring all manner of bodily inconveniences and urges.

  ***

  Jenny returned from the kitchen to find her guest standing before the fire in his stocking feet and shirtsleeves, her embroidery hoop in his hands.

  Which would not do. It would not do at all.

  “Come eat, Mr. Harrison. I gather the making of the plum pudding occasions something of a celebration among the staff, and so the larder boasted impressive offerings. They’ll be decorating the house tomorrow in anticipation of the Yule season.”

  His dark brows lowered and, more importantly, he set her embroidery hoop on the mantel. “I apologize for my state of undress, but my coat was damp.”

  Said coat—more sopping than damp—was now draped over the back of a chair set close to the fire, steam ris ing from the fabric.

  Which accounted for the wet-wool scent accompanying the cozier fragrances wafting through the library. Jenny set the tray on the low table before the hearth just as the eight-day clock in the hallway chimed the hour.

  “Don’t stand on ceremony, Mr. Harrison. You must be famished.”

  And as for his state of undress… Jenny knew firsthand that for all his height, he was lean and hard, every muscle and sinew in evidence when he was naked. Every rib, every pale blue vein, every dark, curling hair on his chest… and elsewhere.

  “May I pour for you, sir?”

  “Please.”

  She took a place on the sofa while he remained standing, which reminded her that whatever else was true about Mr. Elijah Harrison, he had the manners of a gentleman. “You must sit, or you will get crumbs all over the countess’s carpet, and she will not be pleased.”

  He came down on the sofa, making the cushions bounce and shift with his weight. “I gather mine host and his countess have already retired?”

  A maiden-aunt-in-training ought to expect such questions.

  “I would not know. They are from home, and I am keeping my nieces company in their absence. How do you take your tea?”

  He was given to silences, which Jenny should have expected from a man who painted for a living. Some artists were so mentally busy trafficking in images that words came to them only reluctantly—a sorry, second-rate form of communication.

  “Lady Genevieve, if I know we are without chaperonage, then I will mount my lame horse and find other accommodations. I account Kesmore among my few friends and would not want to give him offense.”

  To go with his beautiful body and his beautiful hands, he had a beautiful, masculine voice. She could have listened to that voice recite Scripture and still pictured him without his clothes.

  “My aunt is abed on the next floor up.” She paused midreach for the teapot. “You used my title.”

  His mouth didn’t shift, but something in his eyes suggested humor. “I make a habit out of attending many of the London social functions. Because I must work in all available daylight hours, I spend most of my evenings dozing in the card room. Even so, I have observed you often from a polite distance.”

  Something about the way he used the word observed had Jenny fussing with the tea things. She was rattled by his disclosure, so rattled she fixed her own cup of tea first, with both sugar and cream.

  Did he know she’d observed him as well, for hours, when he’d worn nothing but indolence and an offhand sensuality?

  “You are prescient,” he said, lifting the full cup. “You know how I like my tea.”

  The humor had found its way to his voice, which made Jenny curious to see what a smile would look like on that full, solemn mouth. For all the parts of him she had seen, she had never seen him smile.

  “A lucky guess,” she said. “Just as finding your way to Kesmore’s doorstep tonight must have been good luck for you.”

  “And for my horse.” He saluted with his teacup, his fingers red with returning circulation.

  “Eat something.” Jenny passed him an empty plate. “Chasing the chill from your room will take some time, and you have to be hungry.”

  As he filled a plate with as much buttered bread, ham, and cheddar as any one of Jenny’s brothers might have consumed at a sitting, Jenny indulged in closer study of her guest. His dark hair was damp, and around his eyes, fine lines gave him a world-weary air. He was not a boy, hadn’t been a boy for years.

  She’d had particular occasion to admire his nose. The nose on Elijah Harrison’s face announced that no compromises would be made easily by its owner, no goal casually cast aside for costing too much effort. Had she not seen the entire rest of him, she would have chosen that nose as his best feature.

  He paused between assembling his meal and consuming it. “You’re not eating with me, Lady Genevieve?”

  He’d said her name with a little glide on the initial G—“Zhenevieve”—the way a Frenchman might have said it. He had studied in France. Somehow, despite the Corsican’s protracted nonsense, Elijah Harrison had managed to study in France. She envied him this to a point approaching bitterness. “I’ll nibble some cheese.”

  “Like a starving mouse?”

  “Like a woman who had a decent meal not that long ago.” Like a woman who knew it was time to have done with visually devouring her guest. “What brings you to our neighborhood, Mr. Harrison?”

  “Work, of course. Some sentimental old fellow has taken it into his head—or perhaps his lady wife has taken it into her head—to have portraits done of his youngest progeny. If I’m to present myself to the world as a well-rounded portraitist, then I must add children to the subjects in my portfolio.”

  He said this as if painting children was an occupational hazard, like napping in card rooms.

  “Is it difficult to paint children?” Between one heartbeat and the next, Jenny realized Elijah Harrison knew a great deal that she wished she could learn from him. He’d travel on in the morning, but for as much as the next hour, she could interrogate him to her heart’s content.

  He didn’t answer immediately. Instead, he put bread, cheese, and some apple slices on a plate and held it out to her. His gaze held a challenge.

  Over a simple meal? Abruptly, Jenny wondered if he’d recognized her.

  She took the plate and tossed her list of questions aside.

  ***

  Genevieve Windham was not pretty, she was exquisite.

  Pretty in present English parlance meant blond hair and blue eyes, regular features, and a willingness to spend significant sums at the modiste of the hour.

  Unless a woman was emaciated or obese, her figure mattered little, there being corsets, padding, and other devices available to augment the Creator’s handiwork. Failing those artifices, one resorted to the good offices of the portraitist, who could at least render a lady’s likeness pretty even if the lady herself were not.

  Lady Jenny left pretty sitting on its arse in the mud several leagues back. Her eyes were a luminous, emerald green, not blue. Her hair was gold, not blond. Her figure surpassed the willowy lines preferred by Polite Society and veered off into the realms of sirens, houris, and dreams a grown man didn’t admit aloud lest he imperil his dignity.

  The itching over Elijah’s body faded in the face of the itch he felt to sketch her.

  She had certainly sketched him, after all.

  “Have some sustenance, my lady. For me to eat alone would be rude, and I intend to consume a deal of food.”

  Lady Jenny took the plate, and though he was ravenous, he wanted to watch her eat more than he wanted to fill his belly. “My thanks, sir.”

  So… small talk. His livelihood depended as much on his ability to make small talk as it did on his talent for slapping paint onto canvas. “How fare my lord and lady Kesmore?”

  “When did you first know you wanted to paint portraits?”

  They’d spoken at the same time, though he’d put his question to her, and she’d directed hers to the plate of gingerbread on the tray. Elijah added a slice to her meal and waited.

  “Lord and Lady Kesmore are in good health and wonderful spirits. They look forward to the holidays, as do their children.”

  Not an answer, but rather, a recitation.

  He offered reciprocal superficiality. “I was born with an interest in the arts.”

  She glanced over at him, her expression suggesting he was a plate of holiday treats she must not be caught snitching from. “An interest in the arts? A general interest only?”

  His answer was the one he gave whenever members of the Royal Academy asked the question Lady Jenny had. The Academy boasted sculptors as well as painters, and one was elevated to membership by vote of the Royal Academicians. A general interest had struck him as the more politic reply.

  Lady Jenny was not considering him for membership in the Royal Academy, and would never be in a position to do so.

  “Painting has been my preoccupation for as long as I can remember,” he said. “When the other lads were clamoring for a pony or playing Robinson Crusoe or longing to explore darkest Africa, all I wanted to do was paint.”

  In some regards, he would have been better off in darkest Africa. Rather than ponder that unhappy truth, he popped a bite of gingerbread in his mouth.

  “And where did you study, Mr. Harrison?”

  This mattered to her, or mattered more than ham, cheese, gingerbread, apples, and hot tea. “Might I prevail upon you to pour again, my lady?” Because he’d downed his tea in one hot, indecorous gulp.

  “Of course.”

  “I studied here and there. I have French cousins on my mother’s side, and while Paris was no fit destination for an Englishman for quite some time, my cousins sought refuge in Italy, Denmark, and Switzerland. I made a royal progress of visiting them and their drawing masters. My mother spoke French to me from the cradle, so France was not as risky for me as it would have been for others.”

  Her Exquisite Ladyship fixed his second cup of tea, while he forgot his meal and instead focused on how firelight reflected off the tea service and off her hair. Lady Jenny was not a woman of angles; she was a woman of curves—an elegant curve to her spine in particular suggesting she’d eschewed stays due to the lateness of the hour, or perhaps—being in the country—she had settled for stays without boning.

  The teapot was not the tall, silver, decorative variety, but rather, a round, porcelain confection with pink roses and green vines twining about the glaze. The curve of the pottery spout mirrored the curve of Lady Jenny’s neck and shoulder. The green of the leaves was only a shade lighter than her eyes, and the gold tracing on the teacups a near match for her hair. If he were painting her, he’d find ways to echo the lines and colors, in the pattern of the curtains, the curl of a cat’s tail, the foliage of some lush, flowering houseplant or—

  “Your tea, and I can find you a book to take upstairs with you tonight.”